View Publication Gillian Wearing and Claude Cahun: Behind the mask, another mask. GILLIAN WEARING: FAMILY STORIES Text by Mikkel Bogh, Jacob Fabricius, Marianne Torp. Self Portrait as My Brother Richard Wearing, 2003. Please try again. Gillian Wearing was commissioned by the Mayor of London Sadiq Khan to create a statue of Suffragist leader Millicent Fawcett in Parliament Square, which was unveiled in April 2018. What does “family” mean today? I don’t feel there is any one label that has been totally addressed to me. How is modern family life shaped these days? In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. In my opinion, the project ran on a double line: one was to question the notion of family, the other was to reinforce a certain sense of national belonging. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The exhibition Family Stories, opening for the unveiling of the sculpture in the National Gallery of Denmark (SMK) in Copenhagen, also revolves around the family as the crystallization point for human relationships. uge 41Til efteråret sætter den britiske kunstner Gillian Wearing (f. 1963) fokus på familien i udstillingen Family Stories på SMK. Statens Museum for Kunst. A Real Danish Family exhibition view: Family Stories, National Gallery of Denmark, Copenhagen SMK viser nu en udstilling med … Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. Gillian Wearing discusses social media, Danishness and rethinking the family model. The outputs might differ, but the inner drive seems to be the same: you represent people while giving the audience an extra layer of information about them. Your recently viewed items and featured recommendations, Select the department you want to search in, $16.15 Shipping & Import Fees Deposit to Germany. I am glad of the project’s openness, because it makes it unique every time, and strongly related to the place where it happens. See more ideas about photography, how to wear, photographer. The project was started in 2007 in the city of Trento, Italy, on the occasion of an exhibition I had at Galleria Civica di Arte Contemporanea. I’m thinking in particular to the “female artist”: my impression is that people expect from a female artist that she deals with certain topics in a certain way, accordingly to her gender. The family is currently undergoing an important reinterpretation, I’m fascinated by the act of casting families in bronze. It was not my idea to operate on the national territory and to make a TV programme out of it, but I embraced it and it worked well. They told me there was a lot of discussion about the very low birth rate, I think in those days it was the lowest in Europe. Gillian Wearing - Family Stories. Gillian Wearing – Family Stories features a range of the artist’s works from 1992 to the present day that works with the theme of the family. What I found fascinating about working with confessions and inner thoughts, and the reason why I operated in that area for so long, was that back then people really needed to express themselves, but there weren’t many formats where they could do that. I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings. Family History, 2006. It’s actually the most collaborative work I’ve done so far. You’ve recently worked on the third family statue in Denmark, in collaboration with a number of important public institutions. Of course, the new scenario introduced by social media has made me think that I have to take my work in a new direction, where I can still operate the role I had then, but on different premises. It’s what I’m doing that informs the next choice, in some way. Save. In her project A Real Danish Family, British artist Gillian Wearing (born 1963) poses these questions in ways that are both artistic and thought-provoking. At that point I saw it as a two-dimensional sculpture. Please try again. To get the free app, enter your mobile phone number. There's a problem loading this menu right now. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Gillian Wearing. With the signs series from the nineties, you could see the physicality of the people but also their thoughts; then I moved into confession videos, where you hear people’s inner thoughts while they wear a mask, and this led to me having myself photographed, masked as members of my family. When I was at university, I made works in all different media as I knew I wanted to be flexible. Please try again. Gillian Wearing. And how? Anbefalet under Det skal du se! Get the latest from Elephant straight to your inbox and 10% off your first purchase. When I met Wearing at the Statens Museum for Kunst (SMK) in Copenhagen, where she is currently showing Family Stories, I was curious to see how the “real” artist looked. When meeting someone as shape-shifting as Gillian Wearing, the possibility of their image aligning with the mental one you have of them is rare. Has this change affected your art, and if yes, how? Working with statisticians, I discovered that one single person can officially constitute a family, and this includes widowed, divorced, single for choice, students and so on. View Publication Gillian Wearing. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Which notions and prejudices come to light with it? Self Portrait at Three Years Old, 2004. 2017. Self Portrait at Three Years Old, 2004. Turner Prize-belønnede kunster Gillian Wearing har gjort det igen, denne gang med udstillingen Family Stories. What’s interesting for me in this project is actually what people can discuss from it. Even if Gillian is quite a common name in some countries, in the past I have been written about as it being a man! Top subscription boxes – right to your door, © 1996-2021, Amazon.com, Inc. or its affiliates. One last question: have you ever felt constrained by certain labels or definitions given to your work, or to you as an artist? On the other hand, you certainly don’t want to fall into being labelled. GILLIAN WEARING: FAMILY STORIES Text by Mikkel Bogh, Jacob Fabricius, Marianne Torp. The work includes photography, film and sculpture. National Portrait Gallery. The eponymous sculpture portrays a Danish family selected from 492 participating families … British artist Gillian Wearing is famed for work that explores family constructs, challenging traditional and perhaps outdated notions of family and identity. An exhibition of the work of Birmingham-born Turner Prize-winning artist Gillian Wearing has just opened at the Danish National Gallery, SMK. Gillian Wearing. Gillian Wearing – Family Stories. Installation view of Gillian Wearing and Claude Cahun: Behind the mask, another mask National Portrait Gallery, London, UK Please try your request again later. My intention was to present a new body of work together with previous ones, so I asked Fabio Cavallucci e Cristina Natalicchio, the curators of the show, how the climate was in Italy at that time. The exhibition Family Stories at SMK is an exhaustive retrospective which gathers a wide range of works from the artist’s production, from the famous Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say (1992-93), where she stopped passers-by in a busy area of South London and asked them to write down what was on their mind, to the most recent project, a series of human-sized sculptures of family units where she investigates the notion of family as a setting for personal identity and for society. Which notions and prejudices come to light with it? In this sense, an important part of the project is that it’s constantly subjected to a spectrum of nuances that are given by the context. View Publication Gillian Wearing. Follow. What is more important today is to help people navigate themselves. From 13 October 2017 Gillian Wearing – Family Stories features a range of the artist’s works from 1992 to the present day that works with the theme of the family. Gillian Wearing er optaget af virkeligheden. In her project A Real Danish Family, the British artist Gillian Wearing asks these questions in ways that are both artistic and thought-provoking. It’s a real pleasure to meet you in person. Other works from Gillian Wearing - Family Stories. Gillian Wearing. View all. Any new medium has its pluses and minuses. Self Portrait, 2000. We work hard to protect your security and privacy. In her project A Real Danish Family, the British artist Gillian Wearing asks these questions in ways that are both artistic and thought-provoking. It has a strong sense of community because it brings a lot of people together. Gillian Wearing: Family Stories Mikkel Bogh, Jacob Fabricius, Marianne Torp, 2017 hardcover, 96 pages pages Publisher: Hatje Cantz Dimensions: 29.70 x 21.00 cm Read more; 521 West 21st Street New York, NY 10011. t: 212 414 4144. mail@tanyabonakdargallery.com. Pub Date: 2/27/2018 Active | In stock The family sculptures are a suitable example of what you say about the presence of a constant need in my practice: they comprise a documentary element in the same way my photographs do. Selected Monographs: 2017. Your art has been called confessional, as it touches on people’s deeper secrets and troubles. It sounds like a path where one step naturally follows another. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. See more ideas about british artist, a level photography, human condition. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. While I’m working, I’m not consciously deciding that I need to move into a specific area. Our payment security system encrypts your information during transmission. Whatever you are engaged with, even if it is simply watching TV, it changes who you are and your perception of the world, so suddenly it becomes something very real and present. Gillian Wearing & Claude Cahun: Behind the Mask, Another Mask is at the National Portrait Gallery, London, until 29 May 2017 Gillian Wearing – Family Stories is at the National Gallery of Denmark in Copenhagen, 12 October 2017 – 7 January 2018 Full content visible, double tap to read brief content. Who selects the family to be cast? Hatje Cantz. View Publication Gillian Wearing. This is the hover state for the latest issue. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize.In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. Gillian Wearing. We use cookies for all the usual reasons. 70 Christian Marclay, Wilhelm Sasnal, Gillian Wearing, Plus Franz West (The Parkett Series) by Marclay, Christian and Sasnal, Wilhelm and Wearing, Gillian and West, Franz and a great selection of related books, art and collectibles available now at AbeBooks.com. There was a problem loading your book clubs. Issue 44 - Art and Optimism in Cataclysmic Times. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. Snapchat was born in a way that most messages sent over it are automatically deleted once they’ve been viewed or have expired, but then, of course, people found out some trick to record and share them. The work includes photography, film and sculpture. As a staple, there is the idea of not adopting fixed parameters for looking for a particular subject. And after that I started creating three-dimensional pieces. Parkett No. Hatje Cantz. Gillian Wearing. The publication examines Wearing’s work and the theme of the family through the lens of art history, and traces the course of A Real Danish Family, a project that boldly questions patterns of thought in society. Self Portrait as My Brother Richard Wearing, 2003. I am curious to know a bit more about the process behind it. I guess we should start educating children about it in school because it’s probably something that is best to learn when young. Wearing’s work, in general, is something one doesn’t simply view, but rather examine: just as the subjects of her video pieces don’t merely talk, but carve themselves open, and we as the audience don’t simply listen to what they have to say, but hang on every single word. 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