But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. Additional details. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . And so we come to the end. And its definitely worth checking out. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. They offer both strong bones and flexibility . The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. . While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. Rigoletto has remained a staple at the Met forever. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November That already tells the audience to shift its focus to whats about to happen. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. The singers, who were all on their A-game, often sounded a bit uncomfortable. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. Start Free 7-Day Trial Rent for $4.99 The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. Verdi's Rigoletto. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. As the scene progressed, you could sense him losing hope, his sound diminuendoing. The restatement of the main melody was delivered with an even more intimate and sensual piano. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. When he re-entered the quartet, Bernheim gradually crescendoed toward the explosion of high notes that literally stops everyone else, allowing his voice to ring and further stamping his dramatic and musical authority on the scene. The Met: Live in HD is supported by Rolex. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. ) right before the final duet was almost howled, its effect spine-chilling. Despite some strange costuming, she did her utmost to provide intricate characterization and development. The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. David holds a Masters in Media Management from Fordham University. In the context of the opera, the merely lovely music becomes inspired drama. In the final Act, Feola drove the quartet dramatically. NYT Critic's Pick. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. Ah! : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. Pretty but Pointless. Studio: The Metropolitan Opera. Later in that same aria, the Cor anglais, which plays in duet with the baritone, sounded off during the entrance to Miei signori, perdono. She also came in so strongly on Io vo mia figlia that Kelseys mia figlia, the key to that parola scenica was inaudible. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. Metropolitan Opera House, . In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. S, la mia figlia! And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. Met Opera | December 17, 2022. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase Rigoletto at the Met, Spring Cast May 2, 2013. . During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. in the middle of his career. For some, the movement allows for a shifting of place and time throughout (like during the cabaletta Possente amor mi chiama where we see Gilda getting prepared for the Dukes arrival) and thus creates visual momentum and variety. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. She is directing the pace and motion of the drama to what she feels is most appropriate. Opera is thriving. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. She is originally from Las Vegas and attended UNLV. Performance History. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. O gioia! You could feel the excitement of this crescendo, exploding with vibrant sound on O gioia and then once again a few bars later on Allonda!. Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. Canadian bass-baritone John Relyea, who just ended a highly . or do we focus on Gildas preparations for her sexual encounter with the Duke? He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. Is it possible to have a minor success on every level? Lisette has given 68 performances as Gilda. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Industry Professionals. Please check if you entered the email address correctly. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. Caro nome was a bit of a mixed bag for Feola. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. More information is available on the official website of the opera house. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. A seven-time Tony Awardwinner, her work has been seen on Broadway in productions such as My Fair Lady, Oslo, The King and I, Golden Boy, How to Succeed in Business Without Really Trying, Born Yesterday, South Pacific, and The Light in the Piazza. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. This was most noticeable during her opening duet with the high B flat triplet sixteenth notes (non pi, vi calmate) and especially during the repeat of Ah, veglia, donna, queto fiore where her vocal line accompanies the baritone melody with leaps up and down the register; in this latter section, the ascents to the high Cs sounded timid and overly careful, lacking in clarity or brightness. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. 20 des. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. This season at the Met, she also sings Olga in Eugene Onegin. The character-driven chamber opera, a collaboration between acclaimed American composer Heggie and librettist Gene Scheer, based on a script by Terrence McNally, will be directed by Gary Briggle and presented at the Jungle Theater. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. N New Production. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. She displayed an elegant legato line in her Quanto affetto, her voice crescendoing as the line rose to first a G natural and then a high B flat a few bars later. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). The HD broadcasts are supported by Toll Brothers, America's luxury home builder. The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. Elsewhere this season, he sings Sarastro at the Vienna State Opera. Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. However, things started getting a bit off during the dolce sixth leaps on a te and the ensuing sixteenth note runs; the soprano sounded stretched and there was even a moment where she went a bit flat in the runs. The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. {{::date | momentFormat:'D'}}{{$last ? '' He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. The Age - Thu, 31 Oct 2019 . The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? It will help us make your newsletter content more useful. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. These PDFs do not include cast changes that occurred after the program went to print. 2022 | 13:00 Rigoletto, Verdi, Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. Bartlett Sher's Weimar-inspired production premiered less than a year ago, and is eminently revivable. Rigoletto returns in the spring for five performances May 28June 11, 2022. 2021-2022 Season. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. Director: Leo Paur. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. That said, this is a step up from the Las Vegas episode. For further details on Rigoletto, including casting by date, please click here. mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Akhnaten, which infuse the suggestive sketchiness of parables into clearly conceived and... His voice growing metallic and accented, almost speaking some of the character a... 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More information is available on the cusp on womanhood delivered with an even more intimate sensual.
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